Producer — Mixer
Los Angeles, CA
Est. Vol. 01
ZEEK SOUND ©

ZEEK

Records that work everywhere. A stadium, a theater, and a pair of AirPods.

Hire me → Blind A/B — $29
Zeek photographed from a low angle beneath an industrial ceiling fan Fig. 01

§01 — Selected work

The credits
do the selling.

Public
& checkable

01 Coldplay — FIFA World Cup 2026 Halftime Show Co-producer With Stargate. Curated by Global Citizen. World Cup Final, New Jersey.
02 Tyla — Everything Goes With Blue Co-producer · Songwriter The Smurfs Movie soundtrack, Paramount.
03 DJ Khaled, Cardi B, Natania & Subhi — Higher Love Co-producer The Smurfs Movie soundtrack, Roc Nation Distribution. Kids’ Choice Award nominated.
04 Arijit Singh · Armaan Malik · Pritam Production · Writing Plus Akasa Singh and Nikhita Gandhi — a decade of Indian pop with some of the biggest vocalists in the world.
05 Tu Mera Nahi · Feel The Vibe Producer Platinum. #1 on the iTunes India pop chart. 100M+ streams via T-Series.
06 Film — M.S. Dhoni · Kabir Singh · Badla · Golmaal 3 · Saina Placements Plus brand work for Vodafone, Colgate and Future Generali.
07 Sony Music Publishing Registered writer Warner Music Group · Universal Music India · T-Series · Paramount Pictures.
100M+
Streams / T-Series
#1
iTunes India Pop
PLAT.
Certified singles
02
Paramount cuts
Zeek playing sitar beside a pair of tabla

§02 — The lane

I work in
two worlds.

Most producers pick one. I came up making Indian pop — Arijit Singh, Armaan Malik, Pritam, T-Series — and ended up co-producing a World Cup halftime show and two cuts on a Paramount soundtrack.

Sitar and tabla sit in the same session as an 808. That crossover isn’t a gimmick I picked up — it’s the room I actually grew up in, and it’s why my records travel.

Zeek playing a harmonium on the floor
Fig. 02 — Harmonium
Zeek walking with a leather bag
Fig. 03 — Los Angeles

§03 — Hire

Send a song
that’s 80% there.

Rate card
2026

I know what a record has to survive to get released — A&R notes, music supervisors, mastering, broadcast. So I don’t hand back a cool-sounding mix. I hand back a finished, deliverable record.

Mixing$800 / song Mix, clean edit, instrumental, TV mix, stems and a metadata sheet. No extra charge.
Full production$3,000 + 3 pts Song built from scratch. Points negotiable and papered before we start.
Ghost production$1,500 / song Your name on it. No credit, no points, complete discretion.
Additional production$800 / song Track doctor. Your demo, made to sound like a release.
Beats$250 / song Original instrumental, built to your reference.
Portrait of Zeek in a leather jacket

Fig. 04 — Studio portrait

Turnaround
First pass in 5 business days. Rush available.
Revisions
3 rounds included — I’d rather you use them.
Points
3 on full production. Mixing and beats take none.
You send
Stems from bar 1, dry, nothing on the 2-bus, + 2–3 refs.

Booking

Book through SoundBetter.

Payment sits in escrow and is only released when the work is done. You’re protected, and so am I.

Open SoundBetter →
AB

§04 — The tool

You cannot judge
your own mix.

Shipping
Vol. 01

After an hour inside a chain you are certain it sounds better — because you remember making it better. And louder always reads as better, so any comparison that isn’t level-matched is worthless.

Blind A/B removes both biases. Two versions, loudness-matched and time-aligned, and you are never told which is which. You commit to a preference. Only then does it reveal what you actually picked — and keep score.

I built it because I needed it. It’s the same standard I hold a mix to, in a tool you can buy.

The mechanic — try it
Two versions. No labels, no filenames, no level difference. Pick one.
Loudness match — BS.1770-4, gated Matching off — B is 2.4 dB louder
A
−14.2 LUFS
B
−11.8 LUFS
Louder reads as better. Left unmatched, B wins on volume alone and the test tells you nothing. Blind A/B attenuates the louder side to meet the quieter one — never boosts, so nothing can clip.
Loudness
Real BS.1770-4 K-weighted, gated LUFS. A signal against its own −6 dB copy measures a 6.02 dB delta. Matching is attenuate-only — the quieter file is never boosted, so nothing can clip.
Alignment
Two-stage cross-correlation. Offsets of ±250, 120, 33, 500 and 0 ms all detected with 0 ms error, correlation 1.0. You always compare the same moment of both files.
True peak
4× Catmull-Rom oversampled, streaming so it can’t blow memory on long files. Warns above −1 dBTP.
Export
32-bit float, 24-bit or 16-bit — always at the file’s native sample rate.
Honesty check
A hidden repeat silently re-tests one random section to see whether you answer the same way twice. Indistinguishable from a real trial.

No visual tells. No audible click on switch. No filenames until the reveal. Which side is which is decided by a coin flip, every session. If a comparison can be gamed, it’s worthless — so none of this is optional.

$29
  • Compare two mixes or masters
  • Section-by-section comping
  • Export your winning comp
  • Runs in the browser — Mac & PC
Get Blind A/B →
In development

The plugin. A version that compares a chain against its own bypass, live in the DAW — no bouncing, no routing. It’s being built now and it isn’t finished, so I’m not selling it yet.

Tell me when →

§05 — Contact

Let’s hear it.

Open for
2026

Send the best version of the song you have, not the busiest one — plus two or three references. Three records you want to stand next to tells me more in thirty seconds than a paragraph does.

Booking
SoundBetter ↗
Email
zeeksound@gmail.com
Blind A/B
Gumroad ↗
Based
Los Angeles